Doortje gets the soprano soloist post at the church choir without following Pol’s tips to play inti the old director Wolfgang’s known taste for flirtatious women. Carmen is jealous of the attention and proves that a howling hyena’s highlighted physical profile seduces an old goat far better. Bieke finds a magazine test about the ideal women and assumes Mark wants an easier, servile partner, almost her opposite. Hearing that, ma enlists ‘therapist’ Helga Botermans again, who meanwhile abandoned her own laughing therapy. None of her ‘strategies’ work, whether Bieke actually cooperates or not. Yet there’s another reason.